Question 1

How much does it cost?

Accepted Answer

Pricing is individual, but we do not hide what drives it. Three things push it up: frequency — two pieces a week instead of one; a host we have to find and prepare externally instead of using someone from your team; and the number of distribution channels, because short-form for Instagram and Facebook is separate editing work, not a copy-paste. Two things bring it down: a ready face on your side and a longer contract, because the cost of entering a niche then spreads across more material. There is a floor below which we do not start — not out of arrogance, but because on too small a budget the channel never reaches the publishing rhythm at which the algorithm begins showing it to new people. If your scale cannot carry it, we say so right after the brief. One thing that separates us from an agency also in the invoice: you pay the production team directly, with full visibility of their rates. We do not add a margin to other people's wages.

Question 2

What if it doesn't work?

Accepted Answer

Then we keep working and you stop paying. Before we start we agree on one number: total views the channel is to reach in its first six months. If we miss it, we keep running the channel at our own cost until we get there. That number cannot be bent in a report — it is public on YouTube, the same for you as for us. One condition, and it sits on your side: material approved within 48 hours and the host available when we agree. If production stalls with you, the clock stops — not because we are looking for an excuse, but because a channel publishing irregularly never reaches the rhythm the algorithm rewards. Honestly: the guarantee covers viewership, because that is what we control. We do not guarantee sales — those depend on your offer, price and website, and we do not run those.

Question 3

What does the contract look like and can we leave?

Accepted Answer

We agree on a minimum of six months; after that the contract runs indefinitely with three months' notice. Six months is not a way to secure our revenue — it is the minimum period in which anything can be decided. The first numbers that mean something appear after six to eight weeks, because that is how long YouTube needs to work out who to show a new channel to. The guarantee is counted over those same six months. The three months' notice that follows is production time. When notice is given we have material in progress for several weeks ahead: recorded, in editing or scheduled with the host. That period exists so we can finish it and hand you a channel that keeps publishing instead of breaking mid-series. Access sits on your side from day one. The channel is created on your Google account and we work as administrators with permissions you revoke with one click. There is no situation in which you have to negotiate with us over a password, because the password was never ours. What is not in the contract: penalties for leaving, automatic renewal, or a clause making the material ours until the last invoice is paid.

Question 4

Who owns the channel and the material?

Accepted Answer

You do — the channel is created on your Google account, and we work only on administrator access that expires the day the cooperation ends. We do not build the channel on our account so we can later have leverage in a negotiation. That sounds obvious until you read contracts where the agency owns the channel and the client is a "content user" — and at parting the library, the subscribers and the search position stay on the other side of the table. Transfer of rights to the material is written into the contract: source files, editing projects, graphics and thumbnails are yours the moment the invoice for the month they were made is paid. The exception we state openly: our tools stay ours. You get the format documentation — what works in your niche and what did not — which is an instruction you can execute without us.

Question 5

How much of our time will this take?

Accepted Answer

One decision-maker and roughly two hours a month — plus one shooting day if the host is someone from your team. Those two hours are approving topics a month ahead and reviewing the report. Everything else sits with us, including managing the editor and the graphic designer. We do not need your marketing department or an approval committee. We need one person who can say yes without collecting three opinions. Why the 48-hour approval is a condition and not a request: a weekly publishing rhythm is killed not by a lack of ideas but by material waiting a week in someone's inbox for one more comment. A channel that publishes irregularly drops out of recommendations, and rebuilding that takes longer than the break that caused it.

Question 6

We have nobody who wants to be the face of the channel. What then?

Accepted Answer

That is the most common situation and it is not an obstacle — a channel can be built with an external host or with no face at all. The first route is casting: we find a host on the market, test them on camera, brief them on your subject matter and run them through the recordings. The contract is then between us and the host, so continuity and finding a replacement are our problem, not yours. The second route is a faceless channel, and it is more common than people expect. Most channels in our network are voiced rather than presented, and that did not stop them from gathering over seven hundred million views combined. BudowlankaBratku did 78.5 million in eight and a half months without a single recognisable face.

Question 7

How are you different from an agency?

Accepted Answer

An agency is paid for delivered files; we are paid for viewership — and that one sentence changes everything that happens afterwards. You agreed with an agency on four videos, you get four videos. The invoice is justified, the contract fulfilled, and whether anyone watched them is now your problem. Nobody on the other side has an interest in changing a format that is not working, because changing it means extra work for the same money. We make our living from viewership on our own ten channels, so we take it on here too. Over two thousand four hundred pieces have gone through our system in ten different niches, and we paid for that learning ourselves before proposing anything to you. An agency learns on your budget.

Question 8

We only want an integration in your network, not our own channel. How does that work?

Accepted Answer

That is the second, much faster route: you step into attention that already exists instead of building it from zero over several quarters. The network is ten channels and over seven hundred and sixty million organically built views across ten niches — history, automotive, technology, construction, sport, nature, entertainment and a few more. Three formats to choose from: a sponsored integration inside an episode, a dedicated short built around your brand, or a series spread over time across one channel or several. You do not pick the channel or the format — that is our job. You write what you are promoting and who you want to reach, and we match the channel where that audience actually sits. If we decide none of our channels fits your brand, we say so instead of forcing it.

Questions companies actually ask.

How much does it cost?

What if it doesn't work?

What does the contract look like and can we leave?

Who owns the channel and the material?

How much of our time will this take?

Nobody wants to be the face of the channel

How are you different from an agency?

We only want an integration, not a channel

If this sounds like your situation, the brief takes five short steps and you get a quote within a day.